Projects (List) | Art Gallery

$On view between February 07 and March 07, 2026, the exhibition brings together works by Şeyma Barut, Uğur Güler, Fuat Özsezer, Meltem Sarıkaya, Mehmet Sinan Kuran, Şeyma Türk, and Superlinox, produced across various disciplines. “Something Went Wrong” focuses on the overlooked fractures, disrupted balances, and displaced perceptions within the flow of the everyday, inviting the viewer into an unexpected visual and conceptual space. Each work reveals the thin boundary between the familiar and the strange, reminding us that what “goes wrong” can, in fact, open up a new field of possibility.$

Guided by the alter ego “Skywalker,” the artist builds a multilayered narrative that moves from the raw energy of childhood to the ego’s inner conflicts, from the traces left by our earliest encounters with the world to the fragility concealed behind the masks we carry throughout life.

The exhibition deepens the artist’s painting practice centered on the theme of duality, inviting viewers to reconsider both their own inner stories and the overlooked layers of everyday existence. Skywalker’s works open a space of attention where the tension between the fragility of personal memory and the first impressions the world inscribes upon us becomes visible. Offering both an intuitive and contemplative approach, First Impressions of Earth will be on view from 06 December 2025 to 22 January 2026.

Şükran Moral, Uğur Güler, Fatih Kahya, Fuat Özsezer, and Burcu Yıldız come together with contemporary practices developed around themes of power, authority, consumption, and relationships. Bringing together painting, photography, video, and performance, the selection extends from personal narratives to shared emotions, exploring the boundaries between the individual and the collective, the visible and the invisible. Curated by Trexit Salvador, “Minefield” invites viewers into a space of contemporary art that is at once intense and contemplative.

DOLORE (Latin: “Pain”) emerges as a powerful performance in which Şükran Moral uses her body as a field of expression, granting visibility to invisible sufferings. The performance reveals traumas inscribed in both individual and collective memory, while making the audience an integral part of the experience. Carrying the weight of silence onto the stage, the artist invites the viewer to a profound confrontation on both personal and societal levels.